TIPS

  • DJ SEBY'S MULTISCRATCH

    Sicily's DJ SEBY shows that he can cut on any setup. ✂️

  • ETNAGOLD SCRATCH

    Etnagold Scratch is a profile dedicated to the world of the DJ / turntablist and the scratch in all its forms and facets, is devised in 2013 by a group of DJ / turntablist with the sole purpose of making available to all specific information on the various topics related to links where you can venture further and increasing their knowledge. Etnagold Scratch wants to be a point of reference where you can discover all about the world of the scratch, in fact in the profile you can find photos, videos, songs, tutorials, tips, events, info, history and evolution, details of the techniques and news at 360 degrees. In addition, this little portal is also available in order to expose their own judgment / opinion ortheir knowledge in such a way to keep improving the art of navigation Turntablism. Smile navigation.

  • NEEDLE SBRAT

    ITA
    Questa Tecnica di Scratch codificata da Dj Seby nell’ottobre 2002 in vista dell’ITF (competizione nazionale / internazionale di dj), consiste nel CREARE un suono facendo sfregare sullo strobe dots del giradischi la plastica di protezione della puntina shure M44-7 (consigliato). Per un ottimo risultato sonoro la puntina deve essere montata con un’inclinazione di 23 gradi verso destra della conchiglia (headshell). Tale tecnica può essere arricchita con modifiche dal band equalizer del mixer, cambiamenti di pitch adj e 33/45 rpm del giradischi. In quest’ultimo caso un disco dovrà poggiare sulla headshell poiché i vari sbalzi di velocità possono far saltare il braccetto (tonearm) del giradischi. Con il NEEDLE SBRAT si ottiene un effetto molto rustico e di sicuro impatto,al quale si possono aggiungere le varie tecniche di taglio (cut) del fader (Crab, Flare, ecc.) per ottenere un numero infinito di melodie.

    ENGLISH
    This Scratch Technique coded by Dj Seby in October 2002 with a view to the ITF (national international dj competition), is to CREATE a sound by rubbing on the strobe dots the turntable the stylus protector plastic shure M44-7 (recommended). For great sound the stylus should be mounted at an angle of 23 degrees to the right of the shell (headshell). This technique can be enriched with changes from the band equalizer mixer, dj pitch changes and 33/45 rpm of the turntable. In the latter case a record must rest on the headshell because various speed fluctuations can blow up the arm (tonearm) of the turntable. With the NEEDLE SBRAT you get a very rustic and of sure impact, to which you can add various cutting techniques of the fader (Crab, Flare, etc.) to get an infinite number of melodies.




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